[CALLING ALL CRYPTIDS] ‘EXISTS’ (2014) Depicts a Perhaps Eerily-Accurate Violent Bigfoot
In the first edition of Calling All Cryptids, I examined Bobcat Goldthwait’s WILLOW CREEK, a film that attempts to stay true to Bigfoot lore while also creating an entertaining and scary found footage film. Now, I’m switching gears to Eduardo Sánchez’s EXISTS, another Bigfoot found footage film, which…
[IT: CHAPTER TWO] CREATIVE PROFESSIONALS NAME THEIR FAVORITE CLOWNS IN HORROR
In the history of genre films, clowns have constituted some of the most recognizable and malevolent antagonists in the horror pantheon. It’s hard to believe that a figure that was once synonymous with joy and laughter is now instantly recognized as a character to fear. Everything from no-budget…
[#TIFF 2019 REVIEW] DESCEND INTO TECHNICOLOR MADNESS WITH ‘COLOR OUT OF SPACE’
In the early 20th century, Howard Phillips Lovecraft, or H.P. Lovecraft, was writing stories of cosmic horror, madness, and incomprehensible evil. He created a pantheon of monsters such as Cthulhu that lurk on the periphery of our understanding. His stories, that often reflect his poor racial politics, have terrified…
[BLU-RAY REVIEW] JOHN CARPENTER’S VAMPIRES (1998)
John Carpenter grew up watching Westerns. One of his very first short films, THE RESURRECTION OF BILLY BRONCO, was inspired by them. And although known as a horror director, he’s really been making Westerns since the very beginning: ASSAULT ON PRECINCT 13, THEY LIVE, ESCAPE FROM NEW YORK/L.A.,…
‘SCARS OF DRACULA’ (1970) IS AN ENTERTAINING ROMP FOR HAMMER FANS
Starting in 1958 and continuing throughout the ’60s, England’s Hammer Studios–partnered with Warner Bros. in America — crafted a series of Gothic horror movies starring the old guard of monster royalty who had previously been the star characters of Universal’s scarepics in the ’30s and ’40s. Dracula and…
[IN THEATERS NOW] ‘IT CHAPTER TWO’ is an entertaining, but flawed, return to Derry
The Andy Muschietti-led adaptation of Stephen King’s It, first released in 2017 and now concluded with IT CHAPTER TWO, is a very high profile project that already achieved much—even before the final entry hits theaters. 2017’s IT is the highest grossing horror movie of all time. Combined with Stranger Things,…
[GRINDHOUSE COMICS COLUMN] ‘TERATOID HEIGHTS’ BY MAT BRINKMAN
As a critic — particularly a critic of “underground” and/or “avant-garde” comics — sometimes you’re called upon to attempt to describe the utterly indescribable. This is a good thing — at the very least it expands one’s vocabulary, sometimes even one’s consciousness — but it’s by no means an easy…
[GRINDHOUSE COMICS COLUMN] ‘MONKS MOUND’ BY CONOR STECHSHULTE
Oblique connections are a recurring theme in Conor Stechschulte‘s ongoing Generous Bosom graphic novel series, but the disparate threads that run parallel to each other in that multi-faceted narrative appear to be heading for some sort of convergence as the sure-to-be-big finale approaches; in his latest self-published standalone…
[IN THEATERS NOW] ‘READY OR NOT’ Seeks and Finds Gory Glory
The current political climate has many calling out both the disparities between and the cannibalizing effect of the rich on the poor. As such, the horror subgenre of variations on “The Most Dangerous Game” is evergreen and ever-growing. Directors Matt Bettinelli-Olpin and Tyler Gillett add another banger to…
[GRINDHOUSE COMICS COLUMN] ‘THE EMPRESS CIXTISIS’ BY ANNE SIMON
Ostensibly a sequel to her earlier, and justly well-received, The Song Of Aglaia, French cartoonist Anne Simon’s newly-released-in-English (and in color!) The Empress Cixtisis (originally published in 2014 under the title Cixtite Imperatrice) is something rather more than that, in actuality — I mean, yeah, Aglaia’s back and all, but she’s…
BELZEBUTH (2019): A PRESCIENT TWIST ON THE POSSESSION GENRE
“In Mexico, even atheists are believers.” — BELZEBUTH. When one thinks of Mexican horror, the immediate thought goes towards the work of Guillermo Del Toro, and understandably so; his work is iconic, masterful, and in many cases transcends genre entirely. But wearing Del-Toro-shaped blinders…
[THE DAILY GRINDHOUSE INTERVIEW] MOROCCO VAUGHAN, DIRECTOR OF ‘MOLLYWOOD’
Set in a grim urban Chicago, MOLLYWOOD follows a modern-day Jack the Ripper serial killer who lures his victims from the club scene by promising to offer them high-end drugs. Micah Fitzgerald turns in an enigmatic performance as Chase, the mysterious killer, who cites religious motivation and a moral imperative…
[THE DAILY GRINDHOUSE INTERVIEW] JAMES GALLANDERS, STAR OF ‘PROJECT ITHACA’
James Gallanders (BRIDE OF CHUCKY, THE SKULLS II) makes a departure in the starring role in the sci-fi/thriller PROJECT ITHACA, written by first-time screenwriters Anthony Artibello and Kevin C. Bjerkness, and directed by Nicholas Humphries. Gallanders plays the straight man and leader in a claustrophobic ship filled with six…
