[ALWAYS THE FINAL KILL, NEVER THE FINAL GIRL] AN INVITATION FOR ‘THE STRANGERS’ TO COME CALLING

[ALWAYS THE FINAL KILL, NEVER THE FINAL GIRL] AN INVITATION FOR ‘THE STRANGERS’ TO COME CALLING


April 30, 2024    Matt Konopka

      Most characters don’t make it out alive in horror movies. Some survive until the final reel if they’re lucky, while others become bodies on the slab before the titles have even run! They are sacrifices for us bloodthirsty fans, but there’s more to them than that. They…

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MA DONG-SEOK IS VIOLENTLY HILARIOUS IN ‘THE ROUNDUP: NO WAY OUT’

MA DONG-SEOK IS VIOLENTLY HILARIOUS IN ‘THE ROUNDUP: NO WAY OUT’


April 30, 2024    Katie Beachy

  Crime action films today can often, despite what the genre might suggest, leave the viewer inexplicably searching for more. Overused actors, villains with vague intensions, and overplayed tropes often result in films with predictable twists and forgettable plots. Ma Dong-seok (TRAIN TO BUSAN, ETERNALS, ASHFALL) returns for another knockout…

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QUEERNESS, CANNIBALISM, AND GENDER PERFORMANCE MAKE FOR A SPELLBINDING COMBINATION IN ‘SHE IS CONANN’

QUEERNESS, CANNIBALISM, AND GENDER PERFORMANCE MAKE FOR A SPELLBINDING COMBINATION IN ‘SHE IS CONANN’


April 29, 2024    Brian Cartwright

  It’s not just death that comes for us; it’s every version of the future which subsists on a diet of our devoured past. Bertrand Mandico turns his Incoherence Manifesto toward Robert E. Howard, queer iconography and the nature of aging in his new film, SHE IS CONANN.  For those…

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[PANIC FEST 2024]: ‘LIVESCREAMERS’ IS FRESH, ORIGINAL FOUND FOOTAGE

[PANIC FEST 2024]: ‘LIVESCREAMERS’ IS FRESH, ORIGINAL FOUND FOOTAGE


April 29, 2024    Katelyn Nelson

  Found footage is, to my mind, one of the richest and most playful settings for film there is. It lends itself to the indie side of filmmaking, creating a space of intimacy and innovation that thrives best in the hands of people who clearly love the craft. It has…

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[PANIC FEST 2024]: ‘ALL ALONE TOGETHER’ IS A TENSE LOOK INTO CREATIVE PRESSURES

[PANIC FEST 2024]: ‘ALL ALONE TOGETHER’ IS A TENSE LOOK INTO CREATIVE PRESSURES


April 29, 2024    Katelyn Nelson

  Any form of artistic creation is an inherently immersive and sacrificial act. Particularly when creating something wholly new, we must dig deep to find the seeds of the world within ourselves and bring to light some dark and squirming realities we may not have faced before. To create is…

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[PANIC FEST 2024]: ‘YOUNG BLONDES, STALKED AND MURDERED’ DIGS DEEP INTO SOCIAL INSECURITY

[PANIC FEST 2024]: ‘YOUNG BLONDES, STALKED AND MURDERED’ DIGS DEEP INTO SOCIAL INSECURITY


April 29, 2024    Katelyn Nelson

I always happen to find a sort of throughline in films when it comes time to bulk up on watching by way of festival season, and one of the most common is usually a kind of redemption arc by way of feminine rage. While those films are still here this…

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“BRILLIANT BUT LAZY:” AN ANNOYINGLY PERSONAL LOOK BACK AT ‘SPIDER-MAN 2’ (2004).

“BRILLIANT BUT LAZY:” AN ANNOYINGLY PERSONAL LOOK BACK AT ‘SPIDER-MAN 2’ (2004).


April 22, 2024    Jon Abrams

  The 8 SPIDER-MAN movies are playing in theaters nationwide this week. I’m not entirely clear on the reasons for why or why now, but it is surely a welcome occasion. The now-classic SPIDER-MAN 2 (2004) is back in theaters, just for today.   by Jon Abrams     On…

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‘ABIGAIL’: A GORY GOOD TIME AT THE MOVIES

‘ABIGAIL’: A GORY GOOD TIME AT THE MOVIES


April 21, 2024    Alexis den Boggende

  In the wake of numerous horror reboots and sequels — from THE EXORCIST: BELIEVER to the newly-announced THE BLAIR WITCH PROJECT — it’s easy to become exasperated by lack of new material in the genre.   In 2019, directing duo Matt Bettinelli-Olpin and Tyler Gillett took on the challenge…

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[THE DAILY GRINDHOUSE INTERVIEW] ANTHONY PENTA, DIRECTOR OF ‘WE KILL FOR LOVE’

[THE DAILY GRINDHOUSE INTERVIEW] ANTHONY PENTA, DIRECTOR OF ‘WE KILL FOR LOVE’


April 16, 2024    Zach Butcher

    Step back into a time when your local video store was the best place to go. Think about how expensive buying a movie was, how cheap a rental was, and how the internet was not a thing you could easily use. Enter WE KILL FOR LOVE, the documentary…

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[DAILY GRINDHOUSE INTERVIEWS]: DIRECTOR AND CAST OF ‘DAD & STEP-DAD’

[DAILY GRINDHOUSE INTERVIEWS]: DIRECTOR AND CAST OF ‘DAD & STEP-DAD’


April 8, 2024    Zach Butcher

  On the heels of his review of the film DAD & STEP-DAD, Daily Grindhouse new blood and cohost of Butcher Bordello of Blood podcast, Zach Butcher, sat down with director Tynan DeLong, and the titular Dad (Colin Burgess) and Step-Dad (Anthony Oberbeck) to talk about their creative friendship, the…

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[IN THEATERS NOW!] GHOSTBUSTERS: FROZEN EMPIRE (2024)

[IN THEATERS NOW!] GHOSTBUSTERS: FROZEN EMPIRE (2024)


April 1, 2024    Brett Gallman

    Maybe it’s fitting that the GHOSTBUSTERS 3 I always dreamed of in my youth remained spectral, nothing but a Class 5 full-roaming vapor that haunted my imagination for years. After all, I don’t know if any movie could have lived up to my lofty expectations for a sequel…

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‘YOU’LL NEVER FIND ME’: BLEAK, UNRELENTING AUSTRALIAN SLOW BURN

‘YOU’LL NEVER FIND ME’: BLEAK, UNRELENTING AUSTRALIAN SLOW BURN


March 20, 2024    Katelyn Nelson

  Australia has long been one of my go-to areas for horror that holds no punches. It’s one of my most obvious touchpoints for notable differences in permissibility and tolerance between American filmmaking and that from other countries. As it stands, Australia and Korea are my two most commonly referenced…

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‘DAD & STEP-DAD’: AN ABSURDIST FAMILY COMEDY RIPE FOR CULT FOLLOWING

‘DAD & STEP-DAD’: AN ABSURDIST FAMILY COMEDY RIPE FOR CULT FOLLOWING


March 19, 2024    Zach Butcher

  DAD & STEP-DAD is the first full form version of director Tynan DeLong’s three shorts that have been in the works since 2018. The story of a father, Jim, trying to enjoy a weekend trip in a cabin with his son, Branson, ex-wife, Suzie, and the stepfather, Dave. Jim…

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[SXSW 2024]: ‘ODDITY’: A MASTERFULLY TENSE HAUNTED RETURN FOR DAMIAN MC CARTHY

[SXSW 2024]: ‘ODDITY’: A MASTERFULLY TENSE HAUNTED RETURN FOR DAMIAN MC CARTHY


March 18, 2024    Jessica Scott

  Hyperbole can be difficult to avoid when writing movie reviews, especially during the rush and excitement of a film festival, so it’s important to stay grounded and keep a sense of perspective. Not everything is a masterpiece. Unless you only watched one movie, every film can’t be the best…

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[SXSW 2024]: ‘FAMILY’: A HAUNTING EXAMINATION OF ILLNESS AND TRAUMA

[SXSW 2024]: ‘FAMILY’: A HAUNTING EXAMINATION OF ILLNESS AND TRAUMA


March 18, 2024    Amylou Ahava

  Inspired by the childhood trauma of his father’s cancer, director Benjamin Finkel spent half his life channeling his real-life horror experience to make the movie FAMILY. Making its world premiere at SXSW, this film follows the young Johanna (Cameron Dawson Gray) as she struggles to make sense of her…

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[SXSW 2024]: ‘THINGS WILL BE DIFFERENT’:  A METAPHYSICAL TIMEWARP OF FAMILIAL CYCLES

[SXSW 2024]: ‘THINGS WILL BE DIFFERENT’: A METAPHYSICAL TIMEWARP OF FAMILIAL CYCLES


March 18, 2024    Riley Cassidy

  The idea of putting life on pause can be an appealing one. Living in a world that is so fast paced, where we are subjected to everyone’s thoughts all the time, escapism is a fantasy of sorts for many people. In THINGS WILL BE DIFFERENT, director Michael Felker examines…

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[IN THEATERS NOW!] IMAGINARY (2024)

[IN THEATERS NOW!] IMAGINARY (2024)


March 18, 2024    Brett Gallman

  In 2010, reigning horror maven Jason Blum was still a fledgling producer in the genre. While his microbudget approach certainly made some waves with the massive success of PARANORMAL ACTIVITY the previous year, his presence in the genre realm wasn’t firmly entrenched until he ushered James Wan’s INSIDIOUS onto…

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[SXSW 2024]: ‘SECRET MALL APARTMENT’: AN ODE TO CREATION, A REFLECTION ON PRIVILEGE

[SXSW 2024]: ‘SECRET MALL APARTMENT’: AN ODE TO CREATION, A REFLECTION ON PRIVILEGE


March 14, 2024    Riley Cassidy

  In the modern age, many folks feel the absence of a “third place.” Somewhere that is not your home, is not your workplace, but rather a third space, somewhere you can hang out, relax, and socialize. For a lot of people, malls were that now elusive third place, somewhere…

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[SXSW 2024]: ‘I LOVE YOU FOREVER’: A TENSE EXAMINATION OF THE MANIPULATIVE MODERN DATING SCENE

[SXSW 2024]: ‘I LOVE YOU FOREVER’: A TENSE EXAMINATION OF THE MANIPULATIVE MODERN DATING SCENE


March 14, 2024    Amylou Ahava

  Manipulation. Gaslighting. Love-bombing. Isolation. All of these terms exist in the popular vernacular as buzzwords to describe toxic relationships. As observers, we can easily see when romance and love lead to abuse, but when experiencing the situation firsthand, the target of the gaslighting might not realize the actual extent…

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[SXSW 2024] ‘DICKWEED’: A DOCUMENTARY IN UNEXPECTED FORM

[SXSW 2024] ‘DICKWEED’: A DOCUMENTARY IN UNEXPECTED FORM


March 14, 2024    Riley Cassidy

  A man is abducted from his home, dragged into the desert, and tortured, culminating in his captors severing his penis and dousing him in bleach. It’s quite the hook, and the stylish documentary feature DICKWEED, directed by Jonathan Ignatius Green, throws its audience right into the heart of the…

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[SXSW 2024] ‘7 KEYS’: A THRILLING INTROSPECTIVE ON LONELINESS

[SXSW 2024] ‘7 KEYS’: A THRILLING INTROSPECTIVE ON LONELINESS


March 13, 2024    Riley Cassidy

  When was the last time you checked that linen closet? What about the spare bedroom? Can you be sure you’re alone in your home right now? After watching Joy Wilkinson’s feature debut, 7 KEYS, these questions are sure to be top of mind. The idea of being somewhere you…

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[DOCUMENTARY OF THE YEAR] 20 DAYS IN MARIUPOL (2023)

[DOCUMENTARY OF THE YEAR] 20 DAYS IN MARIUPOL (2023)


March 10, 2024    Samantha Schorsch

      A certain thickness of skin comes with the territory for people who exist immersed in the genres of horror and true crime. Particularly in extremist horror circles, tolerance to the utmost depravity is compared like war wounds and for those of us that voyaged the wild west…

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THE 2023-2024 BIZARRO OSCARS! BY THE DAILY GRINDHOUSE STAFF

THE 2023-2024 BIZARRO OSCARS! BY THE DAILY GRINDHOUSE STAFF


March 10, 2024    Jon Abrams

    Welcome back to Daily Grindhouse’s mostly-annual feature where we celebrate lots of stuff that goes overlooked by the normal-people Oscars. We like a lot of the same things they do, but we also like a whole lot of stuff that will go unmentioned tonight. You’ll see us mentioning…

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[VOTE!] THE 2024 DAILY GRINDHOUSE BIZARRO OSCARS

[VOTE!] THE 2024 DAILY GRINDHOUSE BIZARRO OSCARS


March 6, 2024    Jon Abrams

  Every year (sort of), Daily Grindhouse’s Bizarro Oscars have been our way of celebrating less conventional aspects of popular films, and even better, to spotlight those films we love that most definitely won’t be recognized at the “real” Academy Awards on Sunday night. Here, genre films of every kind…

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