The other day, I found a stack of my old artwork from my high school years. I didn’t remember myself as being the little metalhead that the evidence suggests that I was. What metalheads and teenaged cartoonists of my vintage have in common is a love of monsters and irrationally pretty girls without much to say and violence without consequence and bygone eras where hairy armored shitkickers swung swords at each other.
OUTLANDER is a movie I would have loved in high school. Hell, given a $50 million budget, OUTLANDER is a movie I might have MADE in high school. Apropos of nothing, the producer of OUTLANDER, Barrie M. Osborne (LORD OF THE RINGS) graduated the same high school I did. Maybe there was something in the water.
OUTLANDER stars Jim Caviezel (otherwise known as The Christ, not to be confused with The Jesus) as a space traveler whose ship crash-lands on Earth during the time of the Vikings. His character’s name is Kainan. Kainan’s people are involved in a species war with a breed of aliens known as the Moorwen. One of those aliens is somehow on board Kainan’s ship, and when they arrive in Viking times the alien goes on a murderous rampage. Kainan has to team up with a more primitive society in order to destroy the monster.
The movie has, at best, a teenager’s grasp of history – again, this is exactly what my friends and I would have come up with after scanning a few pages of the Viking chapter of our European history textbook. All of the supporting characters are named accordingly (Rothgar, Freya, Wulfric, Gunnar, etc.) and there’s even a character named Boromir, which indicates that someone’s been reading Lord Of The Rings when they were supposed to be catching up on their Norsemen. Also, considering that this is supposed to be Norway, there sure are a lot of different accents on hand – the movie takes pains to explain how Kainan comes to speak the same language as the Vikings, and British accents are par for the course, but no one bothers to explain what the hell the Scottish guy is doing there.
The supporting cast features the usual casting archetypes, such as the respected thespian slumming (John Hurt as an aging king), the ingénue who’d clearly rather be doing other movies (Sophia Myles as Princess Leia – I mean, Freya), and a convention favorite doing the rounds (Ron Perlman). Both of those guys are good as usual, and Caviezel is good casting too. Sure, I like The Christ. Who doesn’t? The Christ is kind of a badass for a holy man.
While this genre mash-up is one of the most derivative movies I’ve ever seen (the plot is the pitch: Vikings vs. aliens!), at least it makes sure to steal from the best. In the first ten minutes alone, I counted four separate, um, homages to PREDATOR, but since PREDATOR is one of my top ten movies of all time, I can hardly complain. OUTLANDER does manage to have a couple neat ideas and doesn’t always go exactly where you expect it will, although mostly it does.
Probably the thing I liked best about the movie was the alien. Once you finally see it up close, it’s a good design, with a couple interesting concepts about it. For someone like me, that’s enough to recommend it. I was entertained, take that as you will. It’s not crap. I’ve certainly seen much worse movies become much more popular. (In fact, one just did.) Anybody who likes Viking movies and/or alien movies knows exactly what to do with this thing.
Also, not to introduce a big idea at the end of the article, but upon reflection, I’m starting to wonder what the casting of the lead character is supposed to mean. Jim Caviezel, best known for starring in THE PASSION OF THE CHRIST, plays a character who arrives from the heavens to bring light and civilization unto a besieged, skeptical world that needs him so desperately.
Is the whole movie supposed to be some kind of allegory for the spread of Christianity?
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Tags: Barrie M. Osborne, Dirk Blackman, France, Geoff Zanelli, Germany, Howard McCain, Jack Huston, Jim Caviezel, John Hurt, Monsters, Movies Of The Damned, Pierre Gill, Ron Perlman, Sci-Fi, Sophia Myles, Space, The US, Vikings
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