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R.O.T.O.R. tells the tale of Robocop’s retarded brother. While Robocop was known for being a crackshot badass with a mean streak, R.O.T.O.R. was known for his girth, porn ‘stache, and a penchant for double cheeseburgers. The other major difference: ROBOCOP is an awesome movie, while R.O.T.O.R. is – how do I put this nicely? – the cinematic equivalent of a dead camel spider. Don’t ask me to elaborate, because I don’t know where I’m going with this.

Highlights include a hero that looks like Randy West, a reject from the Gorgeous Ladies of Wrestling, robot Bruno Kirby, inept narration, piss-poor science, subliminal Beach Boys messages, white trash kung-fu, and finally, the end credits – because the atrocity is mercifully over.

RECOMMENDED.

PUT YOUR WEIGHT ON IT.

The Creeper

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Jon Abrams

Editor-In-Chief at Daily Grindhouse

Jon Abrams is a New York-based writer, cartoonist, and committed cinemaniac whose complete work and credits can be found at his site, Demon’s Resume. You can contact him on Twitter as @JonZilla___.

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