[STRAIGHT OUTTA STRAIGHT-TO-VIDEO] PAPER CITY BURNOUT (2018)

 

 

 

 

Drugsploitation movies aren’t as common as they used to be. I would have to think that this is because the opioid epidemic in this country is no longer something reserved for the inner city to deal with.

 

Now that hard drugs have made their way into small-town America, many have finally seen it to be serious, not something to be made light of. PAPER CITY BURNOUT, is a fearless micro-budgeted drugsploitation movie, that tackles the all too real seedy underbelly of small-town degradation.

 

 

Jack (Chris Dubey) is a junkie, a horrible family man, a shitty friend, and all-around not someone to be trusted. He lives in the small town of Berlin, NH, which from the opening aerial shot looks like a beautiful scene right from a postcard. Jack owes a considerable amount of money to the local drug kingpin, Frankie (Stephen Trouskie).

 

 

In order to get out of Frankie’s debt, Jack sets up a heist where he’s going to lead Frankie’s thugs to a big drug deal that takes place at his father-in-law’s auto repair shop. No surprise, things don’t go the way Jack planned. There’s bloodshed, a shoot-out, and enough brutality to keep the viewer interested.

 

PAPER CITY BURNOUT is the type of gritty exploitation film that would have fit in nicely between the golden era of 42nd St. sleaze cinema of the 1970s and the VHS direct-to-home-video cult film craze. Throughout the film, I kept thinking this was something that I could easily see coming out of Troma Entertainment. It had definite COMBAT SHOCK and STORY OF A JUNKIE vibes.

 

I loved the bluesy score to the film by Jean-Marc Yee, since it really helped give a sense of despair, and it help set a tone for Jack’s downward spiral into drug addiction. The sound quality in PAPER CITY BURNOUT is uneven, but forgivable for an independent film like this one.

 

 

There are plenty of twists, turns, and double-crosses in PAPER CITY BURNOUT, plenty enough to keep you entertained for the 98-minute running time. At times, the writing felt a bit sloppy, with its overuse of profanity, but then again, if the filmmakers were trying to capture that scumbag feel, they achieved it.

 

For all of its flaws, PAPER CITY BURNOUT also has a ton of soul. Also, the topical matter of the film makes it feel more intense. If you are a fan of the sort of grimy flicks that feature drugs, violence, and a dark sense of humor, then you’ll want to track down PAPER CITY BURNOUT.

 


 

 

 

 

Jeremy Lowe

Jeremy Lowe (a.k.a, Germ T. Ripper) is a Chicago punk rock mainstay who has been the front man for bands The Rotten Fruits, Modern Day Rippers, Brickwall Vultures, and The Short-Timers. He is also a co-founder of Sexy Baby Records. Before writing for Daily Grindhouse, he wrote for the Splatterhouse 7 blog. You can contact him on Twitter as @rottengerm77

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    One Comment

    • Reply
      chris
      May 16, 2019

      Thank you for the review. This movie was made with a shoe string budget, and it means a ton to all of us that made it. If you have a dream, mine being making a movie, and you put in the effort, even when things look their darkest, that dream can come true. We faced many obstacles, and beat them all. One way or another, this film can now be shared with the world, and no one is prouder of that accomplishment than the folks that put in the work and made it a reality. It can be done.

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