Welcome to the Daily Grindhouse Bizarro Oscars. This is our way of celebrating less conventional aspects of popular films, but even better, to spotlight those films we love that most definitely won’t be recognized at the “real” Academy Awards tonight.

This is the Somethingth Annual Bizarros — an exact “annual” count is dodgy since we skipped a year (although here’s 2014, 2016, 2017, 2018, and 2019, for your records) .

The only rule, as ever, is that there are no rules. Everyone who wanted to participate was invited, nobody anywhere was excluded, and everyone voted on the categories they felt like voting on, and if there was any category they felt was missing, they were allowed to add it and name their own winners. It’s stupid, but beautiful.

Safe to say 2020 was one of the most bizarro years in American history. Possibly as a result, we received less than a third of the amount of votes than we usually get. We can only assume Russian interference, or else most of our voters are still in sheltering in place, and in that case, we can’t wait to see them again, when we all finally get to venture out of our storm cellars and survival bunkers. Here are this year’s voters and where you can find them on social media.

JUSTIN LaLIBERTY:

MATT WEDGE:

Remember, the one overriding principle of the Bizarro Oscars is that love of movies comes first above all. That said, we reserve the right to rag on stuff too. It’s all in good fun. We know and respect how hard it is to make any movie, no matter what we think of the result, and particularly in the past few years, but still: It’s fun to goof on bad movies! It’s fun to goof on good movies too! It’s all subjective anyway! One person’s “bad” is another person’s “Best Picture!” Lighten up, Francis! Also remember: If you get through reading this post without seeing any mention of a movie you love, please pipe up in the comments! This is your Bizarros too. This is everyone’s Bizarros. Please enjoy.

All right? All right! Let’s start the show!

BEST END CREDITS SEQUENCE

JON ABRAMS: Right before the credits roll on VAMPIRES VS. THE BRONX, Gloria says “All is well in the Bronx yet again, but we gonna keep grinding, shining, and holding each other down. Oh, and to all future invaders, you don’t want no smoke with the BX. Get it!” Co-signed.

BRETT GALLMAN: TREMORS: SHRIEKER ISLAND

JAMIE ALVEY: THE INVISIBLE MAN

JUSTIN LaLIBERTY: BAD BOYS FOR LIFE – the end credit scene where Martin Lawrence asks a flight passenger if he’d “fuck a witch without a condom”

BEST LAST SCENE

ROB DEAN: PSYCHO GOREMAN

BRETT GALLMAN: HUNTER HUNTER

CLAIRE HOLLAND: The final shot of RELIC, and the final shot in THE LODGE.

JUSTIN LaLIBERTY: The rewinding of archival footage to an image of a kiss at the end of TIME.

MATT WEDGE: SOUND OF METAL

BEST PERFORMANCE IN A BAD MOVIE

JON ABRAMS: Bokeem Woodbine & Michael Gaston (a great character actor whose name more people ought to know better) in SPENSER CONFIDENTIAL.

BRETT GALLMAN: Michael Gross, TREMORS: SHRIEKER ISLAND

ROB DEAN: Walton Goggins, FATMAN

JUSTIN LaLIBERTY: Janelle Monáe in ANTEBELLUM

MATT WEDGE: Randeep Hooda in EXTRACTION

WORST PERFORMANCE IN A GOOD MOVIE

JAMIE ALVEY: TJ Miller in UNDERWATER.

JUSTIN LaLIBERTY: Kid Cudi in BILL & TED FACE THE MUSIC

ROB DEAN: Rudy Giuliani, BORAT SUBSEQUENT MOVIE FILM

BEST MOVIE YOU PROBABLY DIDN’T SEE

JON ABRAMS: REVENGE RIDE. Pollyanna McIntosh as the leader of a female biker gang! I don’t know about “best,” but I know you probably didn’t see it.

JAY ALARY: WE SUMMON THE DARKNESS

JAMIE ALVEY: HUNTER HUNTER

ROB DEAN: YOU CANNOT KILL DAVID ARQUETTE

BRETT GALLMAN: THE EMPTY MAN

CLAIRE HOLLAND: SWALLOW

MATT WEDGE: ARKANSAS

BEST DOCUMENTARY*

JON ABRAMS: SKIN: A HISTORY OF NUDITY IN THE MOVIES. Oh! And also the ESPN Bruce Lee documentary BE WATER! That was rad.

BEST COMEDY SPECIAL

JON ABRAMS: NATE: A ONE MAN SHOW. I’m not even entirely sure what I saw, but I know it was something special. Also Nate has got energy not unlike DG’s Roving Editor-At-Large Mike Vanderbilt.

BEST SCORE

JON ABRAMS: Blanck Mass did the score for CALM WITH HORSES (or THE SHADOW OF VIOLENCE, as it’s known in the States.)

JAMIE ALVEY: Benjamin Wallfisch for THE INVISIBLE MAN. (That man created three of the best horror scores in the past few years. He deserves the respect.)

ROB DEAN: GRETEL & HANSEL by ROB

BRETT GALLMAN: THE EMPTY MAN

JUSTIN LaLIBERTY: CAPONE by El-P

UGLIEST MOVIE

JON ABRAMS: THE WRONG MISSY

JAY ALARY: VFW

JAMIE ALVEY: RELIC (And I mean this in a good way. The visuals in that are downright haunting. It’s shot beautifully but that mold and decay is downright ugly. It’s genius.)

ROB DEAN: JIU JITSU

BRETT GALLMAN: THE NEW MUTANTS

JUSTIN LaLIBERTY: THE TAX COLLECTOR

MATT WEDGE: BUTT BOY

PRETTIEST MOVIE

JON ABRAMS: SYNCHRONIC

JAMIE ALVEY: THE OTHER LAMB

ROB DEAN: NOMADLAND

BRETT GALLMAN: BIRDS OF PREY

CLAIRE HOLLAND: POSSESSOR

JUSTIN LaLIBERTY: FIRST COW

MATT WEDGE: SWALLOW

DUMBEST MOVIE

JON ABRAMS: BLOODSHOT. (Is he called that because his eyes are all red?)

ROB DEAN: ALONE (the one directed by Vladislav Khesin)

BRETT GALLMAN: HUBIE HALLOWEEN

CLAIRE HOLLAND: SONGBIRD. Tasteless but also just very bad.

JUSTIN LaLIBERTY: MONEY PLANE

MATT WEDGE: FANTASY ISLAND

BEST DUMB MOVIE

ROB DEAN: SLAXX

* Shouldn’t use the word ‘dumb’. Like ‘lame’, it is ableist in origin and connotation.

BRETT GALLMAN: HUBIE HALLOWEEN

JUSTIN LaLIBERTY: HUBIE HALLOWEEN

MATT WEDGE: BLOODSHOT

JON ABRAMS: Rob’s point is well taken and this category will be renamed after this year. But that being said: PSYCHO GOREMAN. It’s my favorite movie of 2020, but it’s also phenomenally, profoundly, transcendently [whatever word we end up using in place of “dumb”].

BEST VILLAIN

JAY ALARY: Ewan McGregor, BIRDS OF PREY

JAMIE ALVEY: Toxic masculinity, as seen in HUNTER HUNTER, THE INVISIBLE MAN, AMULET, THE OTHER LAMB, and many others. It was a banner year for telling the patriarchy to go to hell and I was living for it.

ROB DEAN: Ewan McGregor as Black Mask in BIRDS OF PREY

BRETT GALLMAN: Rudy Giuliani, BORAT: SUBSEQUENT MOVIEFILM

CLAIRE HOLLAND: Kurt (Joe Keery), the deranged Uber driver from SPREE.

JUSTIN LaLIBERTY: Lesley Manville in LET HIM GO

MATT WEDGE: The Duke (Eddie Izzard) and The Duchess (Georgie Glen) from GET DUKED!

JON ABRAMS: !!!SPOILER WARNING!!!

…

Alexandra Daddario in WE SUMMON THE DARKNESS

BEST EVIL HENCHMAN

JAY ALARY: Steppenwolf, ZACK SNYDER’S JUSTICE LEAGUE

JAMIE ALVEY: Tom Griffin, AKA the Jellyfish Version of Adrian from THE INVISIBLE MAN.

ROB DEAN: Anthony Carrigan as Dennis Caleb McCoy in BILL & TED FACE THE MUSIC

BRETT GALLMAN: Xander Berkeley, THE DARK & THE WICKED

CLAIRE HOLLAND: The parents in ANYTHING FOR JACKSON.

JON ABRAMS: !!!SPOILER WARNING!!!

…

And that’s hench-woman…

…

Maddie Hasson in WE SUMMON THE DARKNESS

BEST ALIEN

JON ABRAMS: The creature in SPUTNIK

BEST HORROR-MOVIE MASK

JAMIE ALVEY: The mask from HIS HOUSE.

ROB DEAN: CRY HAVOC

BRETT GALLMAN: The Witches in THE PALE DOOR

JUSTIN LaLIBERTY: POSSESSOR

JON ABRAMS: Borat’s Trump mask. Completely convincing! It’s just a real bad face.

BEST GIANT MONSTER

JAMIE ALVEY: That Cthulhu-looking bastard at the end of UNDERWATER.

ROB DEAN: The snail thing in LOVE AND MONSTERS.

BRETT GALLMAN: Cthulhu in UNDERWATER.

CLAIRE HOLLAND: Cthulhu in UNDERWATER.

JUSTIN LaLIBERTY: The lioness in ROGUE.

JON ABRAMS: Russell Crowe in UNHINGED.

BEST WEREWOLF

JON ABRAMS: THE WOLF OF SNOW HOLLOW

ROB DEAN: THE WOLF OF SNOW HOLLOW

BRETT GALLMAN: SCARE PACKAGE

CLAIRE HOLLAND: THE WOLF OF SNOW HOLLOW

JUSTIN LaLIBERTY: THE WOLF OF SNOW HOLLOW

BEST VAMPIRE

JON ABRAMS: Caroline Williams in TEN MINUTES TO MIDNIGHT. Runner-up: The fella in BOYS FROM COUNTY HELL. I loved VAMPIRES VS. THE BRONX too! Good year for fanged fiends.

ROB DEAN: Sarah Gadon in VAMPIRES VS. THE BRONX

BRETT GALLMAN: Sarah Gadon, VAMPIRES VS THE BRONX

JUSTIN LaLIBERTY: VAMPIRES VS. THE BRONX

BEST SKELETON

JON ABRAMS: SKULL: THE MASK

ROB DEAN: The cave thing in THE EMPTY MAN

BEST SUPERHERO COSTUME

JON ABRAMS: Corny as it is, the PPE mask in real life. Caring about fellow humans is cool!

JAY ALARY: Batfleck, ZACK SNYDER’S JUSTICE LEAGUE

ROB DEAN: The one Harley Quinn wears when she invades the police precinct in BIRDS OF PREY

BRETT GALLMAN: Huntress, BIRDS OF PREY

CLAIRE HOLLAND: Rosie Perez in her “I shaved my balls for this?” shirt (BIRDS OF PREY)

BEST CHARACTER ACTOR

JAMIE ALVEY: John Gallagher, Jr. in UNDERWATER. (They squandered their use of that man. SQUANDERED.)

BRETT GALLMAN: Terrence Howard, CUT THROAT CITY

CLAIRE HOLLAND: Elizabeth Moss as Shirley Jackson (SHIRLEY)

JON ABRAMS: John Goodman. He didn’t even have a movie out in 2020, but I happened to see an episode or two of The Conners and goddamn that guy is good in everything. I’m not even into The Conners, but now I feel like I ought to be watching it, if only for John Goodman. Did you know he doesn’t have an Academy Award yet? Could there be any better reason for us to do the Bizarro Oscars?

BEST DESERVES-HER-OWN-MOVIE CHARACTER

JAY ALARY: Black Canary, BIRDS OF PREY

JAMIE ALVEY: TIE: Jessica Henwick as Emily from UNDERWATER and Konstantina Mantelos as Becker from ANYTHING FOR JACKSON.

ROB DEAN: Emily Alyn Lind in THE BABYSITTER: KILLER QUEEN

BRETT GALLMAN: Anya Taylor-Joy’s Magik from THE NEW MUTANTS

CLAIRE HOLLAND: Black Canary (Jurnee Smollett, BIRDS OF PREY)

MATT WEDGE: Jane (Jane Adams) in SHE DIES TOMORROW

JON ABRAMS: Lindsey Morgan as Rose in SKYLINES. I know this pretty much was her movie, and I also know it’s supposed to be the last in the trilogy, but come on, Liam O’Donnell and company, don’t stop now!

BEST SIDEKICK

JON ABRAMS: Trent (stuntman Jeremy Fitzgerald) in SKYLINES

MOST ASS-KICKING SHITKICKERS IN ONE PLACE

JON ABRAMS: DA 5 BLOODS

ROB DEAN: BIRDS OF PREY

BRETT GALLMAN: DA 5 BLOODS

CLAIRE HOLLAND: BIRDS OF PREY

JUSTIN LaLIBERTY: THE DEBT COLLECTORS

BEST CATCHPHRASE, OR BEST OUGHT-TO-BE-A-CATCHPHRASE

BRETT GALLMAN: “I’m from San Francisco.”

BEST LINE, IN CONTEXT

BRETT GALLMAN: “See, we’re Bloods. We got a bond. We fought in an immoral war that wasn’t ours, for rights we didn’t have.” – DA 5 BLOODS

BEST LINE IN OR OUT OF CONTEXT

BRETT GALLMAN: [extreme Robert Pattinson southern drawl] “DELUSION”

BEST NICOLAS CAGE MOVIE

JON ABRAMS: Believe it or not, THE CROODS: A NEW AGE is the only other Nic Cage movie released in 2020, aside from JIU JITSU. I didn’t see it, but I did see the first one during quarantine (long story) and it’s not that bad!

ROB DEAN: JIU JITSU….I guess?

BRETT GALLMAN: THE COLOR OUT OF SPACE

CLAIRE HOLLAND: COLOR OUT OF SPACE – I think this might be a 2019 movie, but I saw it in quarantine.

JUSTIN LaLIBERTY: JIU JITSU

BEST FIGHT

JON ABRAMS: Always been a Marvel guy, but there’s only one superhero movie this year that had Margot Robbie whooping ass on some blue boys, so.

JAMIE ALVEY: I am still living for the choreography in the kitchen fight from THE INVISIBLE MAN.

ROB DEAN: Arena/Breakout in TRAIN TO BUSAN PRESENTS: PENINSULA

BRETT GALLMAN: TENET

JUSTIN LaLIBERTY: The last act of ALONE (Hyams)

BEST CAR CHASE

JON ABRAMS: Gotta give this one to BIRDS OF PREY also. Didn’t see too many car chases this year.

BRETT GALLMAN: TENET

JUSTIN LaLIBERTY: BAD BOYS FOR LIFE

BEST DOG

JON ABRAMS: Not a movie dog, but he’s the official dog of Daily Grindhouse… RALPHIE!

ROB DEAN: WOLFWALKERS

CLAIRE HOLLAND: Diego from BECKY, Reggie from THE RENTAL

BEST AMERICAN

JON ABRAMS: The honorable John Lewis. Rest in power.

JAY ALARY: Anybody who’s not a Republican.

JAMIE ALVEY: I feel compelled to give this one over to Elisabeth Moss because she gave us not one but TWO awesome performances.

ROB DEAN: Clarke Peters in DA 5 BLOODS

BRETT GALLMAN: Brea Grant

MATT WEDGE: Brea Grant (writer/director 12 HOUR SHIFT, writer/star LUCKY)

BEST CANADIAN

JON ABRAMS: Serinda Swan. She’s in that biker movie with Pollyanna McIntosh.

JAY ALARY: IT’S ALWAYS WILLIAM SHATNER!

JAMIE ALVEY: Camille Sullivan and Devon Sawa. (Where is my CUJO adaptation directed by Jennifer Kent with these two in it?????)

ROB DEAN: Brandon Cronenberg, director of POSSESSOR

BRETT GALLMAN: Devon Sawa

MATT WEDGE: Brandon Cronenberg

BEST MEXICAN

JON ABRAMS: Danny Trejo, BULLETS OF JUSTICE, also Lifetime Achievement

JAY ALARY: Issa López

JAMIE ALVEY: Gigi Saul Guerrero (I could not be more excited for her future films and all the stuff from her that was announced in 2020.)

ROB DEAN: Salma Hayek in LIKE A BOSS

BRETT GALLMAN: Issa López

BEST WORST MOVIE

ROB DEAN: THE HUNT

BRETT GALLMAN: HUBIE HALLOWEEN

WORST BEST MOVIE

ROB DEAN: MANK

BRETT GALLMAN: TRIAL OF THE CHICAGO 7

BEST HERO MOMENT

JON ABRAMS: I’m not sure we’ve made this clear enough yet to people who haven’t seen the movie, but Kristen Stewart takes on Cthulu at the bottom of the Mariana Trench in UNDERWATER.

JAMIE ALVEY: This one has to go to Chase Williamson as Pete in SCARE PACKAGE distracting the Devil’s Lake Impaler. It was the most over-the-top and beautiful thing. Forever my final man. RIP Pete.

ROB DEAN: BORAT SUBSEQUENT MOVIEFILM

BRETT GALLMAN: BILL & TED FACE THE MUSIC

MATT WEDGE: Luay (Laith Nakli) helping Hunter (Haley Bennett) escape from her toxic husband and in-laws in SWALLOW.

BEST “FUCK YOU” MOMENT

JAMIE ALVEY: THAT moment in HUNTER HUNTER.

ROB DEAN: The final act of THE INVISIBLE MAN

BRETT GALLMAN: THE INVISIBLE MAN / Harley Quinn blowing up Jared Leto’s Joker in BIRDS OF PREY

CLAIRE HOLLAND: (spoilers) When Becky shoots the remorseful Nazi who just saved her life (BECKY) – so satisfying!

JON ABRAMS: Speaking of putting an end to Nazis…

BEST OPENING SCENE

JON ABRAMS: VAMPIRES VS. THE BRONX. Considering the year we all had, it was fresh to see this town looking so lively.

JAMIE ALVEY: THE INVISIBLE MAN (I am more devoted to this movie than I am some of my own relatives at this point, I think. Ignore my annoying ass.)

ROB DEAN: BIRDS OF PREY

BRETT GALLMAN: THE INVISIBLE MAN

JUSTIN LaLIBERTY: THE OLD GUARD

BEST OPENING CREDITS SEQUENCE

JON ABRAMS: I have to say THE DEVIL ALL THE TIME, because it’s narrated with absolute Ohioan authenticity by the author of the original novel, Donald Ray Pollock, and that book is phenomenal (like all his books!!!)

JUSTIN LaLIBERTY: DA 5 BLOODS

BIZARRO OSCARS: PANDEMIC EDITION!

WHAT’S THE LAST MOVIE YOU SAW IN THEATERS BEFORE LOCKDOWN?

JON ABRAMS: Pretty sure the only movies I saw in theaters in 2020 were UNDERWATER, BIRDS OF PREY, and THE INVISIBLE MAN. Which one came out last? It’s that one.

JAY ALARY: Sadly, RISE OF SKYWALKER.

ROB DEAN: PROMISING YOUNG WOMAN

BRETT GALLMAN: THE HUNT

CLAIRE HOLLAND: I bought tickets to see DOCTOR SLEEP didn’t end up making the showing – I’ve regretted it ever since!

JUSTIN LaLIBERTY: THE ASSISTANT on February 16th, 2020

MATT WEDGE: HONEY BOY

WHAT MOVIE DID YOU WATCH IN QUARANTINE THAT YOU WISH YOU COULD HAVE SEEN ON THE BIG SCREEN WITH AN AUDIENCE?

JON ABRAMS: PSYCHO GOREMAN

JAY ALARY: UNDERWATER

ROB DEAN: PSYCHO GOREMAN

BRETT GALLMAN: BILL & TED FACE THE MUSIC

CLAIRE HOLLAND: DOCTOR SLEEP, dammit. Also THE INVISIBLE MAN.

JUSTIN LaLIBERTY: (tie) AMERICAN UTOPIA and LOVER’S ROCK

MATT WEDGE: THE INVISIBLE MAN

WAS THERE ANY STUDIO FEATURE YOU FELT ACTUALLY BENEFITTED FROM WATCHING AT HOME?

JON ABRAMS: NOMADLAND

CLAIRE HOLLAND: HOST

JUSTIN LaLIBERTY: THE EMPTY MAN

WHAT MOVIE DO YOU WISH YOU HADN’T WATCHED IN QUARANTINE?

JON ABRAMS: THE AU PAIR NIGHTMARE

JAY ALARY: VFW

ROB DEAN: SONGBIRD is an opportunistic, soulless hack job that trades in conspiracy, paranoia, and exploitation in the worst ways.

BRETT GALLMAN: THE EMPTY MAN

CLAIRE HOLLAND: SONGBIRD. It was free on Hulu, but still. It was terrible.

JUSTIN LaLIBERTY: HOST

DID YOU HAVE A GO-TO 2020 SUB-GENRE? i.e. contagion horror, zombie-apocalypse, etc.

JON ABRAMS: “Spaghetti” Westerns. But that’s every year for me.

JAY ALARY: Hockey documentaries!

BRETT GALLMAN: Italian post-apocalyptic/ MAD MAX rip-offs

CLAIRE HOLLAND: Cosmic horror and cults.

WHAT ONE 2020 TV SERIES DID YOU MOST ENJOY BINGE-WATCHING?

JON ABRAMS: 30 Coins

JAY ALARY: None – I just watched select episodes of all the Star Treks.

ROB DEAN: The Boys

BRETT GALLMAN: SERVANT

CLAIRE HOLLAND: PEN15 (Season 2)

JUSTIN LaLIBERTY: The Undoing

MATT WEDGE: Schitt’s Creek

SAME QUESTION AS ABOVE, BUT WHAT NON-2020 TV SHOW SAVED YOUR QUARANTINE?

JON ABRAMS: Too Old To Die Young

ROB DEAN: Brooklyn Nine-Nine

BRETT GALLMAN: The Sopranos

CLAIRE HOLLAND: Broad City

JUSTIN LaLIBERTY: Ozark

MATT WEDGE: The X-Files

WHICH MOVIE STAR WOULD YOU MOST LIKE TO BE QUARANTINED WITH, AND WHY?

JON ABRAMS: Pam Grier. She’d make me go outside more often.

JAY ALARY: Alexandra Daddario – we both have blue eyes!

ROB DEAN: Nick Offerman. He’s funny, smart, and handy. So he could make stuff and teach me how to make stuff. Plus I feel like we’d both be okay with silence. The other option is Oprah because I feel like I could live in her house and never see each other for weeks.

BRETT GALLMAN: Kurt Russell, so maybe I could learn to be cool.

CLAIRE HOLLAND: Jeff Bridges or Keanu Reeves; they both seem like they’d be cool to talk to for extended periods of time while drinking or smoking – critical skills in lockdown.

WRAPPING IT UP…

WHICH SONGS SAVED YOUR LIFE IN 2020? BONUS POINTS IF IT CAME FROM A MOVIE SOUNDTRACK.

JON ABRAMS: “Girl From The North Country” by Greg Dulli & Mark Lanegan.

BRETT GALLMAN: “I Went Dust” and “See You at the Movies” by J. Mascis

CLAIRE HOLLAND: “Boss Bitch” by Doja Cat (from BIRDS OF PREY)

WHICH BELOVED CELEBRITY WE LOST IN 2020 WOULD YOU CHEER FOR LOUDEST DURING THE BIZARRO IN MEMORIAM TRIBUTE?

JON ABRAMS: Ennio Morricone

BRETT GALLMAN: Alex Trebek

CLAIRE HOLLAND: Does Ruth Bader Ginsburg count?

JUSTIN LaLIBERTY: Joel Schumacher

MATT WEDGE: Daria Nicolodi

WHAT CATEGORY SHOULD THE REAL OSCARS HAVE THAT THEY DON’T?

JON ABRAMS: All of us say this every year we do this feature, but Best Stunt Sequence (or some reasonable variation). I’d also love a Best Practical Effects In Horror & Sci-Fi, just shooting for the moon.

BRETT GALLMAN: Achievement in Stuntwork

JUSTIN LaLIBERTY: Everything and anything to do with stunts and stunt performers

MATT WEDGE: Best Stunt Team

WHAT CATEGORY IS THIS LIST MISSING, AND WHO SHOULD WIN?

JON ABRAMS: Best Documentary. I can’t believe I keep forgetting to add that in every year. And the winner is SKIN: A HISTORY OF NUDITY IN THE MOVIES. Also: Best Soundtrack.

JAMIE ALVEY:

Best Australian: A two-way tie this year for Natalie Erika James and Leigh Whannell.

Best Brit(s): Of course I have many for this because I want to celebrate everyone out there being brilliant – Remi Weekes, Wunmi Mosaku, Gemma Hurley, and Oliver Jackson-Cohen.

ROB DEAN: Still Best Stunt/Best Stunt Team

MATT WEDGE: WHAT MOVIE ACTUALLY BENEFITTED FROM THE TIMING OF THE PANDEMIC? SHE DIES TOMORROW

BRETT GALLMAN: “The Bill Brasky of Daily Grindhouse Award,” winner: Mike Vanderbilt

See you last year!

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Jon Abrams

Editor-In-Chief at Daily Grindhouse

Jon Abrams is a New York-based writer, cartoonist, and committed cinemaniac whose complete work and credits can be found at his site, Demon’s Resume. You can contact him on Twitter as @JonZilla___.